高居翰（James Cahill），1926年出生于美国加州，曾长期担任加州大学伯克利分校艺术史和研究生院的教授，以及华盛顿弗利尔美术馆中国书画部顾问，他的著作多由在各大学授课时的讲稿修订，或充分利用博物馆资源编纂而成，皆是通过风格分析研究中国绘画史的经典书籍，享有世界范围的学术声誉。

The "phantom heroine"―in particular the fantasy of her resurrection through sex with a living man―is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires ...(展开全部)

The Dutch are 'the envy of some, the fear of others, and the wonder of all their neighbours'. So wrote the English ambassador to the Dutch Republic, Sir William Temple, in 1673. Maarten Prak offers a lively and innovative history of the Dutch Golden Age, charting its political, social, economic and cultural history through chapters that range from the introduction of the tulip ...(展开全部)

Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-dept...(展开全部)

巫鸿（Wu Hung）早年任职于故宫博物院书画组、金石组，获中央美术学院美术史系硕士。1987年获哈佛大学美术史与人类学双重博士学位，后在该校美术史系任教，1994年获终身教授职位。同年受聘主持芝加哥大学亚洲艺术的教学、研究项目，执“斯德本特殊贡献教授”讲席，2002年建立东亚艺术研究中心并任主任。 其著作《武梁祠：中国古代画像艺术的思想性》获1989年全美亚洲学年会最佳著作奖（李文森奖）；《中国古代美术和建筑中的纪念碑性》获评1996年杰出学术出版物，被列为20世纪90年代最有意义的艺术学著作之一；《重屏：中国绘画中的媒介与表现》获全美最佳美术史著作提名。参与编写《中国绘画三千年》（1997）、《剑桥中国先秦史》（1999）等。多次回国客座讲学，发起“汉唐之间”中国古代美术史、考古学研究系列国际讨论会，并主编三册论文集。 近年致力于中国现当代艺术的...(展开全部)

巫鸿（Wu Hung）早年任职于故宫博物院书画组、金石组，获中央美术学院美术史系硕士。1987年获哈佛大学美术史与人类学双重博士学位，后在该校美术史系任教，1994年获终身教授职位。同年受聘主持芝加哥大学亚洲艺术的教学、研究项目，执“斯德本特殊贡献教授”讲席，2002年建立东亚艺术研究中心并任主任。 其著作《武梁祠：中国古代画像艺术的思想性》获1989年全美亚洲学年会最佳著作奖（李文森奖）；《中国古代美术和建筑中的纪念碑性》获评1996年杰出学术出版物，被列为20世纪90年代最有意义的艺术学著作之一；《重屏：中国绘画中的媒介与表现》获全美最佳美术史著作提名。参与编写《中国绘画三千年》（1997）、《剑桥中国先秦史》（1999）等。多次回国客座讲学，发起“汉唐之间”中国古代美术史、考古学研究系列国际讨论会，并主编三册论文集。 近年致力于中国现当代艺术的...(展开全部)

Product Description In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and...(展开全部)

Product Description In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and...(展开全部)